Fleda, with a bright face, hesitated a moment. "As if I were one of those bad women in a play?" She checked him with a gesture. "Don't tell me what she did!" She had colored up to her eyes, where, as with the effect of a blow in the face, she quickly felt the tears gathering. It was a sudden drop in her great flight, a shock to her attempt to watch over what Mona was entitled to. While she had been straining her very soul in this attempt, the object of her magnanimity had been pronouncing her "not honest." She took it all in, however, and after an instant was able to speak with a smile. She would not have been surprised to learn, indeed, that her smile was strange. "You had said a while ago that your mother and I quarreled about you. It's much more true that you and Mona have quarreled about me."!

"Puts you in the situation of expecting that I shall do this thing just simply to oblige you?" "I said to her that her question revealed a total misconception of the nature of my present relations with my son. I said to her that I had no relations with him at all, and that nothing had passed between us for months. I said to her that my hands were spotlessly clean of any attempt to make him make up to you. I said to her that I had taken from Poynton what I had a right to take, but had done nothing else in the world. I was determined that if I had bit my tongue off to oblige you I would at least have the righteousness that my sacrifice gave me."

Fleda faltered again, wincing at the term of endearment, at what the words took for granted, charged with the confidence she had now committed herself to betray. "I told him I would tell you!" She smiled, but she felt that her smile was rather hollow and even that Mrs. Gereth had begun to look at her with some fixedness. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Fleda gave a faint, stubborn smile. "He cares for her too much."